On April 5, 2013 Rosario Dawson got out the clippers.

And cinema was never the same. As was James McAvoy. As was OUR EYES. After this visual delight director Danny Boyle has us believing in all manner of nonsense such as the convoluted mechanisms need to pull off the complicated art heist that ultimately revolves around the toxic relationships of Mr. McAvoy. This is a far cry from THE DISAPPEARANCE OF ELEANOR RIGBY, sir.

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